京都最著名和服飾品牌「SOU・SOU」如何為傳統紋樣翻轉出嶄新魅力?——專訪設計總監若林剛之

2020/06/03
林唯哲
京都最著名和服飾品牌「SOU・SOU」如何為傳統紋樣翻轉出嶄新魅力?——專訪設計總監若林剛之
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SOU・SOU,京都最著名的和服飾品牌之一,把設計與傳統日本做了一個美好的詮釋,體現了京都那種「剛好不強求」的思維。

京都是個「不能強求」的城市,所有的「導入」都得剛剛好,恰到其份的美學創意是造就世界皆知的京都品牌的重要關鍵。正如SOU・SOU,京都最著名的和服飾品牌之一,把設計與傳統日本做了一個美好的詮釋,體現了京都那種「剛好不強求」的思維。

 

品牌策劃人愛的原來是龐克!

SOU・SOU的創立始於一個巧合。當年品牌策劃人若林剛之(以下簡稱若林)先生買了一本室內設計的書籍,書裡看到了創辦人之一的辻村久信建築師的設計後便去拜訪了其事務所,談了許多關於「正統日本風格」的話題,於是辻村先生便介紹了若林先生另一位創辦人——織品紋樣設計師脇坂克二,SOU・SOU就在三人探討日本流的議題中結成。

一頭長髮綁著馬尾的若林先生說其實自己是鍾愛龐克文化的,或許也不難從他的造型與言行中讀出龐克氣息。但當三人在討論著我們來做一些有趣的事時,比起自己的愛好,「住在京都的我們,該做的不就是自己的根本嗎?」

京都sousou.jpg
SOU・SOU創辦人由左至右分別為:設計總監若林剛之、布料紋樣設計師脇阪克二、建築師辻村久信。 圖片提供/SOU・SOU

 

日本人眼中的「京都」也曾經意味著陳舊、傳統

京都象徵著日本傳統,保有了最正統的日本文化與美學,或許在外國人眼裡京都是最好認識日本也是觀光價值最高的地方,但對不少日本人來說,京都無非意味著陳舊、傳統,是一種逐漸凋零老去、沒有與現代接軌的都市,「所以我們想用時尚的力量,改變印象,讓傳統也能使人樂在其中。」現在的日本人大多都覺得傳統是個難以下嚥的事,但絕非全然如此,「從傳統中也能讓人感到快樂和有趣,所以我們就決定嘗試這樣做下去。」若林先生說。

京都SOUSOU店舖外觀與內裝-1.jpg
圖片提供/SOU・SOU

 

想讓人重新認識傳統,但宣傳卻很低調?

重點在於做好商品,創造出特色。

於是決定成立品牌,品牌的初衷是希望「讓日本人再一次認識傳統」。以傳統為基礎,導入時尚流行元素,讓人重新看到傳統的姿態。雖然如此,SOU・SOU的宣傳卻是被動的,「我們沒有想過要宣傳到全世界,不能一昧的告訴別人這個好,喜歡的人穿就好了。」若林先生內斂的說道,該做的事是把商品做好就好,比起現今時尚品牌的主動出擊,或許被動地述說也是一種日本的傳統美德吧。

品牌這個概念可說是一種狀態,不論做了什麼,若能被擴散、宣傳,或是讓人更容易認知的話,就已處在一種品牌的狀態。有內容能被廣傳是個關鍵,所以不論國家、地區、公司、店家或人,只要能創造出特色,都有可能成為品牌。時尚產業是帶動全球潮流的關鍵領域,所有的流行或風向大多方向一致。

京都SOUSOU-服裝.jpg
圖片提供/SOU・SOU
京都sousou.jpg
圖片提供/SOU・SOU
京都sousou.jpg
與京都菓子老舖「長久堂」合作的和三盆與金平糖組合,是至今少見流行感強烈的和菓子。 圖片提供/SOU・SOU

 

能勾勒出日本時尚脈絡的,唯有「紋樣」

雖然趨勢是無印良品般無花紋的素色,但若林先生認為,「紋樣」才是日本獨特的時尚脈絡,而且是外國沒有的品味。

現今的時尚已趨向「無地」(如無印良品,沒有花紋、素色)的風格,強調極簡、無花紋的材質搭配剪裁是當今趨勢。但對若林先生來說「無地」只是風格,但風格終究會被汰換。「紋樣」是非常能代表日本的文化之一,從前日本的家紋開始,至今能看到大量圖案化的生活樣貌,不難想像紋樣對日本的重要程度,日本人常將訊息或情感轉化寄託於紋樣中,了解紋樣或許就認識了大半的日本。

京都sousou已組圖.jpg
紋樣(從左至右、由上而下):小巷、和煦、全菊、大樂 圖片提供/SOU・SOU

 
紋樣一直以來被大量運用在日本的織品設計裡,最常被使用的是如四季能反映時節到來的主題,像植物、自然等等。對若林先生來說,即使趨勢是無地,但唯有用紋樣才能代表日本獨特的時尚脈絡,那也是外國沒有的品味。

紋樣除了能引起人的情緒悸動外,獨特的紋樣讓服飾更添個性、使服飾也是個讓人感到幸福的要素,甚至特定的紋樣是還高貴的象徵。「當紋樣不斷重複堆疊後,這就是日本獨特的時尚風格了!」若林先生並不反對無地時尚,而是既然SOU・SOU是日本品牌,就該創造圖騰來建立此品牌的特色。「我不去設想客人的反應或接受度,只覺得把傳統文化用流行的角度切入這件事是可行的。」若林先生堅信地說。

京都sousou.jpg
與今治毛巾合作,SOU・SOU多樣的圖騰與觸感佳、吸水力好的毛巾系列商品,特製禮盒包裝適合作為送禮用。 圖片提供/SOU・SOU
京都sousou.jpg
SOU・SOU專為兒童和服開設的品牌sou sou warabegi的和服飾商品。 圖片提供/SOU・SOU
京都sousou.jpg
與收納工具品牌「stacksto」合作的人氣商品「baquet」,可整齊並列、堆疊的四角收納提籃。 圖片提供/SOU・SOU

 

SOU・SOU 看起來這麼京都,只是一個巧合?

除了傳統技藝之外,京都最著名的即是美學。京都的美學有著獨特的品味,那種多一分少一分都不行的尺度拿捏是最難以仿效。從前的京都有著製造之都的稱謂,但指的並非製造業,而是用京都的「品味」創造。那品味有著敏銳的五感,能精準的保有原事物之長處並磨利其美感使之更上層次,所以日本其他地區不管什麼物品到了京都後,彷彿被進化了、都被賦予了京都特有的味道。

比如說源自於日本東北的「餅花」(もちばな),因為冬天不會開花,所以人們將許多小年糕插在枯枝上,作為新年的裝飾。但餅花到了京都後,手法更簡鍊、表現也更時髦了。京都或許就像個修圖軟體的濾鏡,透過那道濾鏡的事物都變得更美、氛圍也都京都了起來。但SOU・SOU並非為了京都而生,若林先生說「它會看起來這麼京都只是一個巧合,因為我們來自傳統文化富裕之地,而我們剛好從事時尚領域的工作,所以想把它做好,就這樣而已。」

京都SOUSOU-服裝.jpg
圖片提供/SOU・SOU

 

傳統若無法與生活結合,是無法承先啟後的!

SOU・SOU的品牌理念即是在復興傳統文化,但僅遵從傳統的話,很難讓更多人願意接觸,必須導入創新思維與某種程度的現代化。「我們目標在繼承傳統,但若無法將其與民眾的日常生活做結合的話,是無法承先啟後的。」若林先生說,「所以SOU・SOU並沒有什麼野心,也不太會去特地設定未來,就穩穩地、好好做好『傳承』這件事就夠了。」從品牌的促成、商品的開發等等一切,都是如此自然而然的發生,把本份盡美,這樣的偶然,是否也是京都獨特的風格呢?

京都sousou選圖-002.jpg
左_與京都傘具品牌「ムーンバット」合作,使用國產棉麻材質的晴雨天雙用傘。右_由京都寢具職人手工縫製而成的多彩坐墊系列商品。 圖片提供/SOU・SOU

 

PLUS!若林剛之最愛的四紋樣

絢爛

像某種花朵一樣綻放,紅色讓畫面看起來十足華麗。這是數十年前脇坂克二先生所繪製的畫作,而後若林先生看到原畫時相當感動,一直希望能夠為這件作品做些什麼,直至SOU・SOU成立才將其圖騰化。

京都sousou-紋樣-絢爛_02.jpg
SOU・SOU 紋樣「絢爛」 圖片提供/SOU・SOU

 

數字

數字這個圖騰能說是SOU・SOU主打的圖騰之一。數字是一個最中性的符號文字,世界上所有的人都認識它,不論男女老幼,也都是一樣的意思,所以以它作了主題的展開。原本這是為了華歌爾而做的設計,但成效不彰,後來再次以SOU・SOU的名義呈現後成為了相當成功的商品系列。

京都sousou-紋樣-數字.jpg
SOU・SOU 紋樣「數字」 圖片提供/SOU・SOU

 

山紫水明

山紫水明是一個形容詞,在日光的照射下山巒看起來彷彿清幽如紫、川水看起來澄澈透亮,如此美景是四季賦予的恩惠,意指清淨的山水景色之美之意。在特定時刻及氣候下,看起來是紫色的山層層堆疊的美,是京都、奈良最適切的形容詞。

京都sousou-紋樣-山紫水明.jpg
SOU・SOU 紋樣「山紫水明」 圖片提供/SOU・SOU

 

這款圖騰是在SOU・SOU尚未成立前,脇坂克二先生設計的,也是至今SOU・SOU最具代表性的圖騰。原先是脇坂先生為北歐品牌marimekko所做的提案設計,但沒被採用而失敗收場,而後才使用於SOU・SOU商品。此款畫得是菊花造型的日式和菓子,這樣的題材也能說是日本的定番圖騰。

京都sousou-紋樣-菊.jpg
SOU・SOU 紋樣「菊」 圖片提供/SOU・SOU

 

本文出自《Shopping Design》2018年3月號「京都學」。在這次企劃中,我們分別從:品牌學、道具學、色彩・生活學、空間學來探索京都,本期精彩內容還包含:將為京都工藝帶來下一張百年風景的「GO ON」、專訪 SOU・SOU 設計總監若林剛之,以及溫事主理人 米力、IF OFFICE設計總監 馮宇、鳥飛古物店主 葉家宏、小器行銷公關經理Diana的京都買物學......

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文
source/JC. Architecture & Design
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工作場域體現了企業文化?辦公室設計與企業品牌、員工招募與績效產出具有實質的關聯嗎?柏成設計創辦人以設計案例分享其成果與影響力。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
點此訂閱 → 掌握設計師、創意總監、創業家的第一手觀察觀點!

Click here to read English version.

最近,一位好友問我:「我們應該找裝修承包商來設計辦公室以節省成本嗎?因為如果透過設計師,那不是會花更多錢嗎?如果我只是分享一些 Instagram 上的照片,承包商就可以幫我們做嗎?」直接找承包商當然可以省下一些錢,但你會希望在你的辦公室看到什麼?你希望透過辦公室呈現怎樣的願景?你想向員工傳達什麼訊息?你期望把公司帶向何方?

我們挑戰過許多辦公室設計,包含傳產:永聯物流開發-物流共和國台北園區辦公室、服裝:H&M 辦公室,以及政府單位:新北市政府辦公室-逗號實驗室等備受讚譽的辦公室專案,我們開始問自己,在辦公室設計中我們追求的是什麼?

重新定義工作場所

問題來了:辦公室設計是否應該關注在成本上?透過雇用承包商模仿 Instagram 上的設計來節省開支,雖然看起來很吸引人,但真正的辦公室設計並不僅僅是美觀和費用。辦公室設計不僅僅是創造一個辦公空間,而是要打造一個能向客戶和員工展示你公司精神和價值觀的環境。辦公室是企業文化和願景的表述。

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

舉個簡單的例子:我的設計公司柏成設計,著重在討論創意的可能性,集思廣益創造新的可能。因此,我們很早就決定,會議空間和討論角落在我們的公司文化中非常重要。儘管我們的團隊只有 27 人,但我們還是特意設計了六個不同的討論點,讓大家可以快速聚集在一起提出新的想法,平均每 5.4 個人就可以享用討論空間。

公司文化就是空間形象

從微軟辦公室(新北市和南港)這樣的大型企業,到新北市政府辦公室 - 逗號實驗室這樣的傳統機構,我們承接的每一項辦公室設計,都是為體現組織獨特文化而量身定制的。無論預算多少,所期望的結果都應以公司目標為中心,即彰顯身份和個性、如何協同工作、如何促進團隊的健康和幸福,以及如何與客戶溝通。

永聯物流辦公室 概念
永聯物流辦公室 概念 source/JC. Architecture & Design

像永聯的物流共和國台北園區這樣的辦公室是一個好案例,永聯物流作為台灣首家,也是最大的機構型物流地產開發商,因為企業文化屬於創業型,在設計空間時,我們應用堆疊貨櫃的結構概念,在開放空間中創造各種角落和工作空間,打破辦公室的統一性,同時利用三種物流業常見的材料:混凝土、波紋鋼板和木箱刨花板,展現公司重要的品牌特質。

永聯物流辦公室
永聯物流辦公室 source/JC. Architecture & Design

辦公室設計對績效、觀感與留任率的影響

良好的辦公室設計還有助於提高員工留任率。我的一位好友經營鉸鏈、鉗子等工具進出口,這是個蠻傳統且不太吸引人的行業,相對來說辦公室設計也非常傳統,充斥著工具箱、沒有燈罩的日光燈、塞滿文件亂糟糟的工作桌等等。他告訴我,在辦公室重新設計和改造之前,很難招聘員工。曾有面試者抵達辦公室,還沒走到門口,就被工作環境嚇到而離開了。

也因此,他知道勢必採取一些行動,而重新設計辦公室就是他的解決方案。他改善照明、安裝升降桌、在室內種植了綠植等設施之後,現在員工留任率非常高,招聘也順利許多。這顯示了老闆關心員工,且想給他們最好的環境。更重要的是,員工士氣大幅提升,也越來越有自信,這樣的轉變說明了有效的辦公室設計如何直接影響品牌形象和工作滿意度。

品味在地風味的辦公室設計

不管我們設計什麼,有沒有當地的思想是非常重要的。但在辦公室設計上,這不容易做到,因為在地化設計常常會變成,將台北 101 的剪影放在辦公室門口,代表你來到台灣,這常在國外的辦事處看到。當我們在設計新北市辦公室 - 逗號實驗室時,我們將台灣傳統的「辦桌文化」融入辦公室家具設計, 讓大家可以一起在一張大桌工作,將本地文化的情感與工作環境連結在一起。

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
New Taipei Government Office - Comma Lab source/JC. Architecture & Design

世界的辦公室設計

今年 4 月的米蘭設計週與米蘭國際家具展覽-Salone del Mobile Milano,吸引了所有知名家具製造商和品牌展示業界最優秀的作品,很可惜今年的展覽相較於去年,辦公室設計的創新明顯減少,不過還是有兩個案例想跟你們分享。

瑞士品牌 USM 持續創新經典的鉻管和框架系統。他們這次將照明集中到鉻管中,隱藏電線管路,不僅保持系統的貯物功能,也能同時照亮展示物品。這個作法也促進了友善植物設計,使植物能夠在貯物系統中茁壯成長,這是對傳統儲物系統巧妙的新設計。

USM Shelving system
USM Shelving system source/JC. Architecture & Design

至於家庭辦公室,我參觀 Desalto 的展位。Desalto 提供了多種適應性的解決方案,可供小型住宅擴展或減少家具,以最大限度利用有限的空間。它的設計提醒了我們,無論生活空間有多小,在家工作仍然是一個可行的選項,這在疫情後尤其重要。

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

以人為本與健康取向的辦公環境設計

最後,我想分享一些以「人」為中心的設計,以及讓心靈健康的辦公環境設計策略:

每個辦公室都需要儲物空間:與其將它們放置在牆邊,不如在中央設置集中式儲存空間,作為一個高 110 公分的中島櫃,鼓勵同事間的互動和討論。

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

設計周到的照明:減少長時間在強烈均一光線下工作的不適。如果從辦公桌到洗手間的照明環境能變化,就可以讓眼睛從 8 小時的持續人工燈光中獲得休息。

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

綠色設計:最大程度地利用自然光和綠色植物,增加人與自然的聯繫。我建議與綠化顧問和景觀美化公司合作,以確保植物的長期壽命,也要準備一筆維護植栽的預算。

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

辦公室藍圖的前瞻

辦公室設計的本質超越了節省成本,它體現了公司文化,提升了士氣,並塑造觀感。一個策略性、精心打造的空間不僅僅是一個工作場所,而是生產力、協作和企業身份的熔爐。透過設計思考,我們投資於公司的未來和走進門的每一個人的福祉,讓我們的設計不僅為現在,更為我們的員工和客戶留下長久而深遠的印象。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
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Think office design as part of your company culture, a communication tool.

Price or culture? Recently, a close friend asked me, "Should we look for a contractor to design our office to save costs? Because if I hire a designer, isn't that going to cost more? What if I just share some office Instagram photos that I like as references, and the contractor can build it for us?" Sure, saving a few bucks here and there is possible, but what would you like to see in your office? What vision or spirit do you want your office to embody? What message do you want to send to your employees, or which direction or path would you like the company to take?

As a celebrated office design studio in Taiwan, with acclaimed projects like the Logistic Republic Office, a fashion office H&M Office Taiwan, and a government office New Taipei City Government Office - Comma Lab, we always ask ourselves, "What is it that we are after in an office design?" "What can we do to help the employee and its environment?" "How can design help a brand to give a sense of character and confidence?" and "What 'global conversations' can we add to our client’s office design, so that the office communicates with the world?"

Culture of the Workplace: A Vision Beyond the Price Tag

Should office design focus primarily on cost? While economizing by hiring contractors to mimic designs from Instagram might seem attractive, true office design transcends mere aesthetics and expenditure. Office design isn't just about creating a space where people can work—that’s the bare minimum; it's about crafting an environment that reflects the company’s ethos and values to both clients and employees. An office is a statement of a business’s culture and intention.

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

A quick example: my design studio culture is about discussing creative potentials and brainstorming new possibilities. Therefore, very early on, we decided that meeting spaces and discussion corners were important in our company culture. Even though we are only a team of 27, we have purposely designed six different meeting points where we can quickly come together and brainstorm for new ideas, averaging roughly 5.4 people per meeting space.

Cultural is the Spatial Identity

Every office design we undertake, from large corporations like Microsoft Office (New Taipei City and Nangang) to more traditional institutions such as the New Taipei Government Office - Comma Lab, is tailored to embody the unique culture of the organization. Regardless of the budget, the desired result should be centered around the establishment’s goals for bringing out identity and character, how they want to work together, how they contribute to the health and well-being of their teams, and how they want to communicate with their clients.

Logistic Republic sketch
Logistic Republic sketch source/JC. Architecture & Design

This company culture ultimately evolves into the brand identity of the space: how the space looks and feels, how workstations are placed, how one moves about the offices, whether the CEO sits with everyone in a non-hierarchical layout, or whether there's a top-down seating environment where a manager overlooks every monitor screen from behind. An office such as the Logistic Republic is a good example to share, showing how brand identity can be showcased in the office arena. Logistic Republic (mother company Ally Logistic Properties) is now one of the main players of logistics property developers and centers in Taiwan, the culture of the business is very entrepreneurial, and the CEO’s thinking is very startup-like. What we thought most about when designing the space was whether we could create small corners here and there to give employees freedom to be creative, instead of an array of tables. We applied the concept of stacking shipping container-like structures to create various corners and workspaces within the open space and disrupt the uniformity of the office, all while showcasing the company's essential brand characteristics using three familiar materials one would see in the logistics industry: rough concrete exposures, corrugated steel sheets, and wooden crate chipboards.

Logistic Republic Office
Logistic Republic Office source/JC. Architecture & Design

Design Impacts on Performance, Perception and Retention rates

Employee retention rates are positively impacted by well-designed offices. My good friend, who runs an import-export business involving toolsets like hinges and pillars—a typically traditional and not particularly enticing industry—faced a design that one could imagine to be very traditional, filled with toolkits, exposed fluorescent lighting, cluttered work desks covered with paper files, and old wooden desks that one can't bring oneself to dispose of, adding to the clutter around the office environment. He revealed that hiring new staff was always a challenge, with unforgettable incidents where potential hires would arrive at the company front door, only to look around and then turn away, heading in the opposite direction.
Deciding to take action, a redesign of his office was the solution. He sought the best in office furniture that was ergonomic and height-adjustable, lighting that was healthy for the eyes, and biophilic walls throughout the office. The results were astonishing; not only was the office up to date with today's standards of office language, but recruitment also became much easier, retention rates of existing employees were high, and perhaps most importantly, staff morale increased dramatically, reflecting their growing confidence. It showcased that the company's values were being infused into everything they do, which was evident in their performances.

Have a Bite into Locality.

Whatever we design, I believe local identity is very important, especially in office design. This is not easy to accomplish, as most of the time, this ends up being a silhouette of Taipei 101, or whichever country they are from. Consider the New Taipei Government Office (Comma Lab) as an example. We thought about whether we could design a huge table that allows everyone to gather and work together, similar to infusing the essence of Taiwan's traditional "banquet culture," tying the emotional bond between work and local culture.

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
source/JC. Architecture & Design

The World’s Approach to the Office

With this column set to publish in April, I can’t overlook discussing the Milan Furniture Fair - Salone del Mobile Milano. This event draws all the leading furniture manufacturers and brands to Milan, showcasing the industry's finest. Unfortunately, this year’s fair saw a noticeable decline in innovations in office design compared to the previous year. Nevertheless, I had the opportunity to visit the exhibit of USM, a Swiss brand that continues to innovate its classic rod and joint system. They’ve now integrated lighting into the rods, concealing the electronics to maintain the system’s shelving functionality while also illuminating display items. This addition also facilitates a plant-friendly design, enabling plants to thrive within the shelving system—a clever redesign of traditional storage solutions.

USM Shelving system
USM Shelving system source/JC. Architecture & Design

As for home offices, I visited Desalto's booth, which was particularly relevant in today's world affected by COVID-19 and other communicable diseases. It reminded us that working from home remains a viable option, regardless of living space constraints. Desalto offers numerous adaptable solutions for small residences, allowing for the expansion or reduction of home furnishings to maximize the utility of limited spaces.

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

A Human-Centric Design & Wellness Approach

Here is how I go about developing a practical methodology for all office spaces, using a human-centered approach & wellness thinking, and I’d like to share my approaches with you:

Every office needs storage. Instead of putting them against the wall, centralized storage in the middle of the floor plate acts as a mid-island table at 110cm tall, encouraging interactions with colleagues and peer-to-peer discussions.

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

Thoughtful lighting: Reduce the discomfort of working long hours under strong uniform light. If the lighting environment can change between your pathway from desk to toilet, that in turn already allows the eyes to rest from the 8 hours of constant artificial light on your table.

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

Biophilic design: Maximizing natural light and greenery taps into the innate human connection with the natural world and boosts well-being and employee satisfaction. This is not easily done, and I suggest working with a green consultant and plant management company to ensure the longevity of the plants, be ready to have a healthy maintance budget too.

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

The Office Blueprint Forward

In wrapping up, the essence of office design transcends cost-saving; it embodies a company’s culture, boosts morale, and shapes perceptions. A strategic, well-crafted space is not just a place of work but a crucible of productivity, collaboration, and corporate identity. By investing in thoughtful design, we invest in our company’s future and in the well-being of everyone who walks through its doors. Let’s design not just for the now, but for the lasting impression our spaces will imprint on employees and clients alike.

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