【專訪】《瀑布》原聲帶裝幀設計:見本生物盧翊軒、黃嘉宏操刀,將帆布、疫情意象轉化為藍色符碼

2021/12/10
【專訪】《瀑布》原聲帶裝幀設計:見本生物盧翊軒、黃嘉宏操刀,將帆布、疫情意象轉化為藍色符碼
圖片提供/見本生物
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「見本生物」盧翊軒攜手現年24歲的新生代設計師黃嘉宏,共同提煉出《瀑布》原聲帶裝幀設計,將劇中意象轉化為藍色符碼,一層層揭開帆布底下的故事與心境。

淺藍色的丹迪紙印上帆布的紋理,質地相得益彰;像背光的鷹架,以口罩壓紋排列。打開專輯,在透明黑的壓克力之下,隱約看到紙張與壓克力之間使用鷹架的圖形膠合。文字排列地像是沿著建築傾瀉的瀑布。這是由「見本生物」的盧翊軒,攜手現年24歲的新生代設計師黃嘉宏共同提煉出的《瀑布》原聲帶裝幀設計,雙方將電影中最重要的兩個符號:口罩與藍色帆布,巧妙地傳化為專輯上的符碼,讓觀者在翻閱專輯的過程中,宛如走進劇裡一層層揭開帆布底下的故事與心境。

《瀑布》原聲帶裝幀設計8.jpeg
圖片來源/見本生物

《瀑布》: 失控的藍色憂鬱

談及專輯裝幀設計的脈絡,得從電影劇情開始說起。電影《瀑布》是台灣導演鍾孟宏執導的第6部劇情長片,在今年10月29日已於影院正式上映。《瀑布》描述在2020年受疫情衝擊的台灣,一對住在正在防水拉皮整修公寓裡的母女,在母親經歷婚姻失敗換上思覺失調症後,關係逐漸緊繃的家庭故事。

《瀑布》劇照3
《瀑布》前導海報由 BLOB 吳建龍、畢展熒所設計,兩人選擇以繪畫方式呈現,找來藝術家洪禎佑合作,期間與導演鍾孟宏來回討論溝通,包含風格、構圖、色調⋯⋯等細節,完成這張第一眼安靜舒服,第二眼風雲詭譎的前導海報。 圖片來源/華映娛樂

電影中,鍾孟宏再度展現了他的影像美學,如陽光照進藍色帆布大樓內幽幽暗暗的光線、藍色的口罩、失控的藍色憂鬱,整部片不僅可以用一種墜下的概念理解,也以「藍色」與瀑布相連結,傳遞出人與人之間無法跨過的障礙。

電影是結合視覺影像和聲效音樂的藝術,引領觀者浸淫在視與聽的饗宴當中,而電影配樂是相當重要的角色。電影配樂能夠幫助劇情展開、情緒渲染,也能增加記憶點,更是作為畫面影像的輔助工具,卻也能夠獨立成為作品;原聲帶專輯裝幀設計可以說是將電影與配樂變得更加有律動感的元素之一。

《瀑布》裡的配樂特別邀來金獎配樂家盧律銘操刀,電影音樂風格回到他相當擅長的懸疑暗黑走向,且此次更加突破進化。為讓原聲帶樣貌更加全面完整,盧律銘請來過去一直都有合作的見本生物設計師盧翊軒設計,由黃嘉宏作為《瀑布》原聲帶裝幀主要執行發想者,盧為引領者,兩人互相協同下完成了這件作品。

《瀑布》原聲帶裝幀設計10.JPG
設計師黃嘉宏(左)、盧翊軒(右)。 攝影/侯俊偉 © Shopping Design

談《瀑布》原聲帶裝幀設計

遠觀此張專輯時,先映入眼簾的是一片帶著黑調的藍,電影中出現的鷹架結構轉化為幾何圖形,再拿近品味後,便會看見專輯有著打凹質地的口罩壓紋,搭配帆布的紋理。專輯正面除了印製上電影的中英文名,也呼應口罩的巧思印上了Made in Taiwan;背面則為音樂製作人盧律銘的英文名Lu Luming。

《瀑布》原聲帶裝幀設計5.jpeg
圖片來源/見本生物

盧翊軒介紹,「口罩與藍色帆布是《瀑布》中最重要的兩個元素」,因此兩人共同將這兩個元素扣回專輯主體。起初在材質選擇上做了一番掙扎,原是選定相似於帆布質地的雪烙紙,但因紙張太軟,製作成本上有些困難,最後選定了丹迪紙,並印上帆布紋理。而值得一提的是,該紙的原色為淺藍色,過程中黃嘉宏特地用藍色版壓上去,再使用黑色上刷,也就呈現出了我們眼前所見的漸層感,複雜的工序需細細探究才可見。

《瀑布》原聲帶裝幀設計3.jpeg
圖片來源/見本生物

打開專輯後,在透明黑的壓克力之下,隱約可見紙張與壓克力之間使用鷹架的圖形膠合,這也是一個巧思。「乍看之下你會覺得是黑色的油墨,但其實是膠的厚度去讓他的顏色變成看起來更像是深黑色,而這些鷹架的圖形是直接以膠的方式做成,也就是說紙張跟壓克力的結合是看不到任何一點結構,但這個做法同時兼顧了視覺面又有一個功能性。」盧翊軒與黃嘉宏說道。

《瀑布》原聲帶裝幀設計2.jpeg
圖片來源/見本生物
《瀑布》原聲帶裝幀設計1.jpeg
圖片來源/見本生物

半透明的黑色壓克力之下,劇中女主角王淨凝望窗外的場景劇照出現,再翻開下一層拿起CD光碟片時,便會發現視線周遭有著幕後音樂製作團隊文字名單組成傾瀉而下的瀑布,但同時它其實也是一建築體,即電影中走在路上抬頭仰望正在拉皮的那棟建築,是抬頭一望看到角邊的樣子。

《瀑布》原聲帶裝幀設計7.jpeg
圖片來源/見本生物

「打開這張專輯就像是一探帆布大樓下人們壓抑的情緒交織。」黃嘉宏解釋,從一開始看到蓋著藍色帆布的鷹架大樓封面、掀開後的黑色玻璃窗(壓克力)、看見女主角王淨如同在窗內凝望著外頭的眼神,最後是傾瀉而下的瀑布與音樂本體。這不僅呼應了電影中的劇情,更直白地描繪出多數人在疫情期間的口罩面具下顯現的問題、是許多人在這段期間習焉不察的狀態,但兩人的設計安排將其一層層掀開,直觀眾人內心深處。

《瀑布》原聲帶裝幀設計9.jpeg
圖片來源/見本生物
《瀑布》原聲帶裝幀設計6.jpeg
圖片來源/見本生物

做音樂與做專輯裝幀一樣,它並非線性的

做音樂與做專輯裝幀一樣,它並非線性的,是來回碰撞、是激盪的。黃嘉宏分享,在做這張電影原聲帶裝幀的過程中,其實還經歷過A版的設計,但盧翊軒覺得張力、份量感還不夠,給予了幾個方向,重新定焦後,才完成了這張作品,黃嘉宏坦言,「盧翊軒對我來說,是個不可或缺的角色。」但有趣的是這張專輯裝幀也正因為有了黃嘉宏而完整。

過去兩人曾經攜手合作過一次專輯裝幀設計 ( 康士坦的變化球《更迭》),談及再次合作的契機,盧翊軒說是音樂,「對於合作,我很怕語言上的溝通成本侵蝕掉把作品做好的能量,對於製作一張專輯,當設計師透過視覺來詮釋時,這些感受轉化成語言其實相當抽象。」而黃嘉宏除了在設計上展露潛力與光芒外,也懂得欣賞各類型音樂,「那至少有一個基本盤,不需要語言,溝通時多少能心領神會。」

《瀑布》原聲帶裝幀設計4.jpeg
圖片來源/見本生物

實體專輯存在的意義?

採訪的最後,我們拋出了一道問題:「數位化的時代,實體專輯在你們心中的存在是什麼?」雖然這道問題顯得陳腔濫調,但盧翊軒真誠地說,「實體專輯的存在,在這個議題之下是一個浪漫的解答。」他坦言,「科技會影響人類的使用載體與習慣,我不排斥任何狀態。」盧翊軒認為,要傳遞一個故事,透過媒體是最快速有利的方式,而實體專輯像是詩、是一個浪漫的解法,也許還更能傳遞出想表達的情緒。

《瀑布》原聲帶裝幀設計11.JPG
攝影/侯俊偉 © Shopping Design

數位化的進程不可否認地會持續下去,但黃嘉宏用一段獨白總結,「你從架上拿下一張實體專輯的翻閱、觸摸,到你細看這些細節,拿在手上的感覺,以及印刷的表現,這些是數位永遠法替代的,它就像一本故事書,它的迷人與有趣,值得存在、值得感受其中,細細玩味。」

見本生物
https://www.facebook.com/sampleanimal

電影《瀑布》原聲帶
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【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文
source/JC. Architecture & Design
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工作場域體現了企業文化?辦公室設計與企業品牌、員工招募與績效產出具有實質的關聯嗎?柏成設計創辦人以設計案例分享其成果與影響力。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
點此訂閱 → 掌握設計師、創意總監、創業家的第一手觀察觀點!

Click here to read English version.

最近,一位好友問我:「我們應該找裝修承包商來設計辦公室以節省成本嗎?因為如果透過設計師,那不是會花更多錢嗎?如果我只是分享一些 Instagram 上的照片,承包商就可以幫我們做嗎?」直接找承包商當然可以省下一些錢,但你會希望在你的辦公室看到什麼?你希望透過辦公室呈現怎樣的願景?你想向員工傳達什麼訊息?你期望把公司帶向何方?

我們挑戰過許多辦公室設計,包含傳產:永聯物流開發-物流共和國台北園區辦公室、服裝:H&M 辦公室,以及政府單位:新北市政府辦公室-逗號實驗室等備受讚譽的辦公室專案,我們開始問自己,在辦公室設計中我們追求的是什麼?

重新定義工作場所

問題來了:辦公室設計是否應該關注在成本上?透過雇用承包商模仿 Instagram 上的設計來節省開支,雖然看起來很吸引人,但真正的辦公室設計並不僅僅是美觀和費用。辦公室設計不僅僅是創造一個辦公空間,而是要打造一個能向客戶和員工展示你公司精神和價值觀的環境。辦公室是企業文化和願景的表述。

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

舉個簡單的例子:我的設計公司柏成設計,著重在討論創意的可能性,集思廣益創造新的可能。因此,我們很早就決定,會議空間和討論角落在我們的公司文化中非常重要。儘管我們的團隊只有 27 人,但我們還是特意設計了六個不同的討論點,讓大家可以快速聚集在一起提出新的想法,平均每 5.4 個人就可以享用討論空間。

公司文化就是空間形象

從微軟辦公室(新北市和南港)這樣的大型企業,到新北市政府辦公室 - 逗號實驗室這樣的傳統機構,我們承接的每一項辦公室設計,都是為體現組織獨特文化而量身定制的。無論預算多少,所期望的結果都應以公司目標為中心,即彰顯身份和個性、如何協同工作、如何促進團隊的健康和幸福,以及如何與客戶溝通。

永聯物流辦公室 概念
永聯物流辦公室 概念 source/JC. Architecture & Design

像永聯的物流共和國台北園區這樣的辦公室是一個好案例,永聯物流作為台灣首家,也是最大的機構型物流地產開發商,因為企業文化屬於創業型,在設計空間時,我們應用堆疊貨櫃的結構概念,在開放空間中創造各種角落和工作空間,打破辦公室的統一性,同時利用三種物流業常見的材料:混凝土、波紋鋼板和木箱刨花板,展現公司重要的品牌特質。

永聯物流辦公室
永聯物流辦公室 source/JC. Architecture & Design

辦公室設計對績效、觀感與留任率的影響

良好的辦公室設計還有助於提高員工留任率。我的一位好友經營鉸鏈、鉗子等工具進出口,這是個蠻傳統且不太吸引人的行業,相對來說辦公室設計也非常傳統,充斥著工具箱、沒有燈罩的日光燈、塞滿文件亂糟糟的工作桌等等。他告訴我,在辦公室重新設計和改造之前,很難招聘員工。曾有面試者抵達辦公室,還沒走到門口,就被工作環境嚇到而離開了。

也因此,他知道勢必採取一些行動,而重新設計辦公室就是他的解決方案。他改善照明、安裝升降桌、在室內種植了綠植等設施之後,現在員工留任率非常高,招聘也順利許多。這顯示了老闆關心員工,且想給他們最好的環境。更重要的是,員工士氣大幅提升,也越來越有自信,這樣的轉變說明了有效的辦公室設計如何直接影響品牌形象和工作滿意度。

品味在地風味的辦公室設計

不管我們設計什麼,有沒有當地的思想是非常重要的。但在辦公室設計上,這不容易做到,因為在地化設計常常會變成,將台北 101 的剪影放在辦公室門口,代表你來到台灣,這常在國外的辦事處看到。當我們在設計新北市辦公室 - 逗號實驗室時,我們將台灣傳統的「辦桌文化」融入辦公室家具設計, 讓大家可以一起在一張大桌工作,將本地文化的情感與工作環境連結在一起。

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
New Taipei Government Office - Comma Lab source/JC. Architecture & Design

世界的辦公室設計

今年 4 月的米蘭設計週與米蘭國際家具展覽-Salone del Mobile Milano,吸引了所有知名家具製造商和品牌展示業界最優秀的作品,很可惜今年的展覽相較於去年,辦公室設計的創新明顯減少,不過還是有兩個案例想跟你們分享。

瑞士品牌 USM 持續創新經典的鉻管和框架系統。他們這次將照明集中到鉻管中,隱藏電線管路,不僅保持系統的貯物功能,也能同時照亮展示物品。這個作法也促進了友善植物設計,使植物能夠在貯物系統中茁壯成長,這是對傳統儲物系統巧妙的新設計。

USM Shelving system
USM Shelving system source/JC. Architecture & Design

至於家庭辦公室,我參觀 Desalto 的展位。Desalto 提供了多種適應性的解決方案,可供小型住宅擴展或減少家具,以最大限度利用有限的空間。它的設計提醒了我們,無論生活空間有多小,在家工作仍然是一個可行的選項,這在疫情後尤其重要。

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

以人為本與健康取向的辦公環境設計

最後,我想分享一些以「人」為中心的設計,以及讓心靈健康的辦公環境設計策略:

每個辦公室都需要儲物空間:與其將它們放置在牆邊,不如在中央設置集中式儲存空間,作為一個高 110 公分的中島櫃,鼓勵同事間的互動和討論。

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

設計周到的照明:減少長時間在強烈均一光線下工作的不適。如果從辦公桌到洗手間的照明環境能變化,就可以讓眼睛從 8 小時的持續人工燈光中獲得休息。

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

綠色設計:最大程度地利用自然光和綠色植物,增加人與自然的聯繫。我建議與綠化顧問和景觀美化公司合作,以確保植物的長期壽命,也要準備一筆維護植栽的預算。

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

辦公室藍圖的前瞻

辦公室設計的本質超越了節省成本,它體現了公司文化,提升了士氣,並塑造觀感。一個策略性、精心打造的空間不僅僅是一個工作場所,而是生產力、協作和企業身份的熔爐。透過設計思考,我們投資於公司的未來和走進門的每一個人的福祉,讓我們的設計不僅為現在,更為我們的員工和客戶留下長久而深遠的印象。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
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Think office design as part of your company culture, a communication tool.

Price or culture? Recently, a close friend asked me, "Should we look for a contractor to design our office to save costs? Because if I hire a designer, isn't that going to cost more? What if I just share some office Instagram photos that I like as references, and the contractor can build it for us?" Sure, saving a few bucks here and there is possible, but what would you like to see in your office? What vision or spirit do you want your office to embody? What message do you want to send to your employees, or which direction or path would you like the company to take?

As a celebrated office design studio in Taiwan, with acclaimed projects like the Logistic Republic Office, a fashion office H&M Office Taiwan, and a government office New Taipei City Government Office - Comma Lab, we always ask ourselves, "What is it that we are after in an office design?" "What can we do to help the employee and its environment?" "How can design help a brand to give a sense of character and confidence?" and "What 'global conversations' can we add to our client’s office design, so that the office communicates with the world?"

Culture of the Workplace: A Vision Beyond the Price Tag

Should office design focus primarily on cost? While economizing by hiring contractors to mimic designs from Instagram might seem attractive, true office design transcends mere aesthetics and expenditure. Office design isn't just about creating a space where people can work—that’s the bare minimum; it's about crafting an environment that reflects the company’s ethos and values to both clients and employees. An office is a statement of a business’s culture and intention.

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

A quick example: my design studio culture is about discussing creative potentials and brainstorming new possibilities. Therefore, very early on, we decided that meeting spaces and discussion corners were important in our company culture. Even though we are only a team of 27, we have purposely designed six different meeting points where we can quickly come together and brainstorm for new ideas, averaging roughly 5.4 people per meeting space.

Cultural is the Spatial Identity

Every office design we undertake, from large corporations like Microsoft Office (New Taipei City and Nangang) to more traditional institutions such as the New Taipei Government Office - Comma Lab, is tailored to embody the unique culture of the organization. Regardless of the budget, the desired result should be centered around the establishment’s goals for bringing out identity and character, how they want to work together, how they contribute to the health and well-being of their teams, and how they want to communicate with their clients.

Logistic Republic sketch
Logistic Republic sketch source/JC. Architecture & Design

This company culture ultimately evolves into the brand identity of the space: how the space looks and feels, how workstations are placed, how one moves about the offices, whether the CEO sits with everyone in a non-hierarchical layout, or whether there's a top-down seating environment where a manager overlooks every monitor screen from behind. An office such as the Logistic Republic is a good example to share, showing how brand identity can be showcased in the office arena. Logistic Republic (mother company Ally Logistic Properties) is now one of the main players of logistics property developers and centers in Taiwan, the culture of the business is very entrepreneurial, and the CEO’s thinking is very startup-like. What we thought most about when designing the space was whether we could create small corners here and there to give employees freedom to be creative, instead of an array of tables. We applied the concept of stacking shipping container-like structures to create various corners and workspaces within the open space and disrupt the uniformity of the office, all while showcasing the company's essential brand characteristics using three familiar materials one would see in the logistics industry: rough concrete exposures, corrugated steel sheets, and wooden crate chipboards.

Logistic Republic Office
Logistic Republic Office source/JC. Architecture & Design

Design Impacts on Performance, Perception and Retention rates

Employee retention rates are positively impacted by well-designed offices. My good friend, who runs an import-export business involving toolsets like hinges and pillars—a typically traditional and not particularly enticing industry—faced a design that one could imagine to be very traditional, filled with toolkits, exposed fluorescent lighting, cluttered work desks covered with paper files, and old wooden desks that one can't bring oneself to dispose of, adding to the clutter around the office environment. He revealed that hiring new staff was always a challenge, with unforgettable incidents where potential hires would arrive at the company front door, only to look around and then turn away, heading in the opposite direction.
Deciding to take action, a redesign of his office was the solution. He sought the best in office furniture that was ergonomic and height-adjustable, lighting that was healthy for the eyes, and biophilic walls throughout the office. The results were astonishing; not only was the office up to date with today's standards of office language, but recruitment also became much easier, retention rates of existing employees were high, and perhaps most importantly, staff morale increased dramatically, reflecting their growing confidence. It showcased that the company's values were being infused into everything they do, which was evident in their performances.

Have a Bite into Locality.

Whatever we design, I believe local identity is very important, especially in office design. This is not easy to accomplish, as most of the time, this ends up being a silhouette of Taipei 101, or whichever country they are from. Consider the New Taipei Government Office (Comma Lab) as an example. We thought about whether we could design a huge table that allows everyone to gather and work together, similar to infusing the essence of Taiwan's traditional "banquet culture," tying the emotional bond between work and local culture.

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
source/JC. Architecture & Design

The World’s Approach to the Office

With this column set to publish in April, I can’t overlook discussing the Milan Furniture Fair - Salone del Mobile Milano. This event draws all the leading furniture manufacturers and brands to Milan, showcasing the industry's finest. Unfortunately, this year’s fair saw a noticeable decline in innovations in office design compared to the previous year. Nevertheless, I had the opportunity to visit the exhibit of USM, a Swiss brand that continues to innovate its classic rod and joint system. They’ve now integrated lighting into the rods, concealing the electronics to maintain the system’s shelving functionality while also illuminating display items. This addition also facilitates a plant-friendly design, enabling plants to thrive within the shelving system—a clever redesign of traditional storage solutions.

USM Shelving system
USM Shelving system source/JC. Architecture & Design

As for home offices, I visited Desalto's booth, which was particularly relevant in today's world affected by COVID-19 and other communicable diseases. It reminded us that working from home remains a viable option, regardless of living space constraints. Desalto offers numerous adaptable solutions for small residences, allowing for the expansion or reduction of home furnishings to maximize the utility of limited spaces.

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

A Human-Centric Design & Wellness Approach

Here is how I go about developing a practical methodology for all office spaces, using a human-centered approach & wellness thinking, and I’d like to share my approaches with you:

Every office needs storage. Instead of putting them against the wall, centralized storage in the middle of the floor plate acts as a mid-island table at 110cm tall, encouraging interactions with colleagues and peer-to-peer discussions.

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

Thoughtful lighting: Reduce the discomfort of working long hours under strong uniform light. If the lighting environment can change between your pathway from desk to toilet, that in turn already allows the eyes to rest from the 8 hours of constant artificial light on your table.

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

Biophilic design: Maximizing natural light and greenery taps into the innate human connection with the natural world and boosts well-being and employee satisfaction. This is not easily done, and I suggest working with a green consultant and plant management company to ensure the longevity of the plants, be ready to have a healthy maintance budget too.

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

The Office Blueprint Forward

In wrapping up, the essence of office design transcends cost-saving; it embodies a company’s culture, boosts morale, and shapes perceptions. A strategic, well-crafted space is not just a place of work but a crucible of productivity, collaboration, and corporate identity. By investing in thoughtful design, we invest in our company’s future and in the well-being of everyone who walks through its doors. Let’s design not just for the now, but for the lasting impression our spaces will imprint on employees and clients alike.

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