石虎列車用康熙字典體錯了嗎?曾掀起跟風潮流的「康熙字典體」為何被抗議別再用了?

2019/12/09
石虎列車用康熙字典體錯了嗎?曾掀起跟風潮流的「康熙字典體」為何被抗議別再用了?
圖片來源/wikimedia commons
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近日亮相的集集彩繪列車爆出字體侵權疑慮,所使用的「康熙字典體」之前在台灣便曾掀起風潮,緣由為何?從頭說起。

週二(8/20)亮相的「集集彩繪列車」(因石虎圖案爭議被民眾改稱為「石虎列車」),因使用的「康熙字典體」爆出侵權疑慮。事實上,康熙字典體曾在台灣掀起一股風潮,甚至業主、客戶還會指定設計師使用。到底,這個字體為何受歡迎?又為何曾被抗議別再用了?在版權考量之外,它是商業使用時適合的字體嗎?

首圖是目前市面上相當流行的康熙字典體原本:康熙字典在道光七年 (1827) 的復刊本,上頭的字是木刻字。由中國字型廠商「文悅科技」經營者厲向晨使用 bitmap trace 法製作而成。康熙字典體顧名思義,就是一本古籍上面的字體。

2013 年是這個字型在台灣大行其道的一年。在書店、書展、路邊建案廣告、手搖店等等,都不難見到。在字型討論社群字戀字嗨上,也不難發現有網友拍照詢問「這是什麼字體啊?好有感覺喔!」結果一看,果然都是康熙字典體。它的確曾在的台灣平面設計興起某種風潮。

但在談論這種風潮以前,我們想先跟大家介紹它到底本來是什麼。

 

具備研究價值的字書

康熙字典是中國辭書編纂史上的里程碑。它基於前人成果,依據明朝《字彙》、《正字通》兩書加以增訂,並且修正錯誤處,有一定的考證基礎。收字數量也超越在它以前的任何字書,共有 47, 035 字,許多其他字典找不到的冷僻字卻能在康熙字典上找到。

此外,康熙字典搜羅了該時代所能發現的最正確資料,不論在形音義的考究,都幾乎搜羅所有在它以前的古籍,可以說是中文字的典藏寶庫。香港、台灣、中國、日本編審標準字形或相關規範時,也通常會將康熙字典納入參考。不管是單純參考康熙字典所蒐集的寫法也好、服從這部著作的「權威」也好,它都是有研究價值的。

也就是說,「康熙字典體」這套字的寫法、筆劃與結構,都是非常重要的學術研究對象。事實上,根據原作者厲向晨,康熙字典體原本製作之目的就在於「學術研究」,供古文字學者、古文化學者、字體製作者研究使用。

 

普遍錯用的康熙字典體

但這個字型為什麼還是會引起一些網友抗議說不要再用了呢?簡言之,是因為普遍的誤用已經形成了某種視覺污染。

康熙字典體02.jpg
出於《字型散步》。找不到這個主題與該字型的關聯點 圖片來源/justfont

 
根據網友 fallengunman 的整理,2013 當時使用康熙字典體於封面設計的書藉非常多,多得令人發噱。

德國字體研究者、字型設計師 Eric Spiekermann 在一次訪談中提到「字體設計師就像流行歌手一樣,你沒有辦法阻止有人在浴室亂唱你的歌。」這應該可以拿來比喻康熙字典體在台灣受歡迎,或應該說,被濫用的情況(不過這套字型算不上是「設計」出來的就是了😅)。

字體設計師就像流行歌手一樣,你沒有辦法阻止有人在浴室亂唱你的歌。——Eric Spiekermann

雖然康熙字典體在 2013 年底就已經停止下載,並禁止使用。(據了解是某中國化妝品買斷了這個字型的版權。)但這無法阻止「皇上」持續「出巡」。在台灣,它還儼然成了為某種次文化的流行元素。(曾流行過「朕的字體 - 康熙字典體產生器」,如今已停用)。而這樣的流行有可能是根源於它曾經氾濫的聲勢。

由於筆劃、結構、破損感,有「古意」的聯想是可以理解的,是市面上缺乏的的復古字型,不難想像歷史相關作品會想要使用它。又因為筆劃邊緣破損,跟大多數電腦字型的「平滑曲線」便有區別,顯得較有「人情味」。我們觀察,只要關鍵字有「時光」、「幸福」,或美食、旅行、慢活⋯⋯等等,大多會見到康熙字典體。總而言之,康熙字典體與台灣曾流行的小確幸風潮合於一氣。產品有多麼小確幸,康熙字典體就有多大的篇幅。

康熙字典體03.jpg
關鍵字「美味」「時光」。原圖攝於公館唐山書局 圖片來源/justfont

 
這樣是不可以嗎?也不是。其實一個設計從概念到成果,要負責任的關係人很多。可能設計師不喜歡這個字型,但業主、客戶很喜歡。或是因為業主、客戶的競品也用了這款字型,不跟風沒有安全感。最後總而言之就用了。

我們在這裡只是嘗試提供字型專業的意見給不論是設計師或客戶的您參考。😂

在〈創作一套古籍字型,有什麼難〉裡,我們曾提到「古籍字型復刻」可能的定義:

  1. 以忠於成原貌的方式留存,目標可能是學術研究、保存。即便有錯誤,或字的重心大小不穩,可能都不修正。

  2. 揣摩並重新詮釋原作,回溯原作精神但帶入現代製作技術和觀念,修正原作中原本筆劃和架構後,重新製作成字型。

康熙字典體肯定不是第二項。因為是原樣掃描,讓它比較像是第一項。而第一項如上述,從來就不是基於商業應用的目的而設計的。商業應用字型曲線要平滑、字要看起來一樣大,不可以有些字倒了、歪了。但也不是就沒有厲害的設計師可以把不完美的字型以相當精緻的方式呈現(王志弘,2012)。所以問題不是出在這個字型,而是出在想要使用它的人(們)身上。

另外,康熙字典體因為是原樣掃描,有些字形是現代讀者陌生的,例如「你」、「在」。

康熙字典體04.jpg
原圖由 But 整理 圖片來源/justfont

 
再來,流傳於網路上的康熙字典體,大部分是 3000 字試用版。有些缺字竟然使用新細明體或標楷體補充(這不是很荒謬嗎?)有缺字可以自己去圖書館找一本古籍參考適合的字,或是用手繪,也會很有康熙字典體那樣破掉的感覺吧。

 

回顧那段日子⋯⋯

我們可以點出一些字型,因為特殊的外貌而配備了「新手磁鐵」:專門吸引剛入門的各種人使用。例如歐文的 Comic Sans, Lobster,以及在台灣的康熙字典體。

這些字型是糟糕的字型嗎?從商業應用的角度來說?好與壞是見仁見智,專業人士與非專業人士之間的看法往往也相差很多。不過字型行業裡,對於字型品質定義有一些最大交集的意見,也就是排印與呈現的品質:

  • 字符、符號之間的距離設定會不會太緊、太空,造成設計師與讀者的困擾呢?
  • 文字會不會深淺、大小不一,干擾閱讀呢?
  • 標點符號的位置有沒有放對呢?
  • 文字曲線平整嗎,有沒有不在計劃中的凹凸不平,印刷出來之後被抓到有詭異的缺陷呢?

從這幾點去看,可能就會得出康熙字典體是一個糟糕的字型的看法。而這的確也是業界的普遍意見。

不過,從有印象「康熙」大行其道的 2013 年,到 2014 年的太陽花運動代表字型(之一),又到「朕的字體」次文化風潮,這個字型已經脫離字型設計的討論範疇,而成為了社會文化現象。而且,也至少越來越不常在建案廣告、大看板上見到皇上了。

事已至此,我們應該可以平心靜氣看待這個現象了。

給初學設計的你:除非是想要做梗圖、或有相當有功力可以駕馭,否則這個品質不良的字型對作品很可能只是扣分,而非加分——小心被人貼在網路上嘲笑。

給業主、客戶:不要再逼設計師使用這個字型了,目前替代品非常多,品質絕對超越康熙字典體。花錢買正版,品質有保障。該付的錢就不應該省喔。

本文經授權轉載自《justfont》,原文請點此。(原文註記:本文寫於 2013 年 5 月,於 2017 年 5 月修訂新版)

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文
source/JC. Architecture & Design
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工作場域體現了企業文化?辦公室設計與企業品牌、員工招募與績效產出具有實質的關聯嗎?柏成設計創辦人以設計案例分享其成果與影響力。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
點此訂閱 → 掌握設計師、創意總監、創業家的第一手觀察觀點!

Click here to read English version.

最近,一位好友問我:「我們應該找裝修承包商來設計辦公室以節省成本嗎?因為如果透過設計師,那不是會花更多錢嗎?如果我只是分享一些 Instagram 上的照片,承包商就可以幫我們做嗎?」直接找承包商當然可以省下一些錢,但你會希望在你的辦公室看到什麼?你希望透過辦公室呈現怎樣的願景?你想向員工傳達什麼訊息?你期望把公司帶向何方?

我們挑戰過許多辦公室設計,包含傳產:永聯物流開發-物流共和國台北園區辦公室、服裝:H&M 辦公室,以及政府單位:新北市政府辦公室-逗號實驗室等備受讚譽的辦公室專案,我們開始問自己,在辦公室設計中我們追求的是什麼?

重新定義工作場所

問題來了:辦公室設計是否應該關注在成本上?透過雇用承包商模仿 Instagram 上的設計來節省開支,雖然看起來很吸引人,但真正的辦公室設計並不僅僅是美觀和費用。辦公室設計不僅僅是創造一個辦公空間,而是要打造一個能向客戶和員工展示你公司精神和價值觀的環境。辦公室是企業文化和願景的表述。

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

舉個簡單的例子:我的設計公司柏成設計,著重在討論創意的可能性,集思廣益創造新的可能。因此,我們很早就決定,會議空間和討論角落在我們的公司文化中非常重要。儘管我們的團隊只有 27 人,但我們還是特意設計了六個不同的討論點,讓大家可以快速聚集在一起提出新的想法,平均每 5.4 個人就可以享用討論空間。

公司文化就是空間形象

從微軟辦公室(新北市和南港)這樣的大型企業,到新北市政府辦公室 - 逗號實驗室這樣的傳統機構,我們承接的每一項辦公室設計,都是為體現組織獨特文化而量身定制的。無論預算多少,所期望的結果都應以公司目標為中心,即彰顯身份和個性、如何協同工作、如何促進團隊的健康和幸福,以及如何與客戶溝通。

永聯物流辦公室 概念
永聯物流辦公室 概念 source/JC. Architecture & Design

像永聯的物流共和國台北園區這樣的辦公室是一個好案例,永聯物流作為台灣首家,也是最大的機構型物流地產開發商,因為企業文化屬於創業型,在設計空間時,我們應用堆疊貨櫃的結構概念,在開放空間中創造各種角落和工作空間,打破辦公室的統一性,同時利用三種物流業常見的材料:混凝土、波紋鋼板和木箱刨花板,展現公司重要的品牌特質。

永聯物流辦公室
永聯物流辦公室 source/JC. Architecture & Design

辦公室設計對績效、觀感與留任率的影響

良好的辦公室設計還有助於提高員工留任率。我的一位好友經營鉸鏈、鉗子等工具進出口,這是個蠻傳統且不太吸引人的行業,相對來說辦公室設計也非常傳統,充斥著工具箱、沒有燈罩的日光燈、塞滿文件亂糟糟的工作桌等等。他告訴我,在辦公室重新設計和改造之前,很難招聘員工。曾有面試者抵達辦公室,還沒走到門口,就被工作環境嚇到而離開了。

也因此,他知道勢必採取一些行動,而重新設計辦公室就是他的解決方案。他改善照明、安裝升降桌、在室內種植了綠植等設施之後,現在員工留任率非常高,招聘也順利許多。這顯示了老闆關心員工,且想給他們最好的環境。更重要的是,員工士氣大幅提升,也越來越有自信,這樣的轉變說明了有效的辦公室設計如何直接影響品牌形象和工作滿意度。

品味在地風味的辦公室設計

不管我們設計什麼,有沒有當地的思想是非常重要的。但在辦公室設計上,這不容易做到,因為在地化設計常常會變成,將台北 101 的剪影放在辦公室門口,代表你來到台灣,這常在國外的辦事處看到。當我們在設計新北市辦公室 - 逗號實驗室時,我們將台灣傳統的「辦桌文化」融入辦公室家具設計, 讓大家可以一起在一張大桌工作,將本地文化的情感與工作環境連結在一起。

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
New Taipei Government Office - Comma Lab source/JC. Architecture & Design

世界的辦公室設計

今年 4 月的米蘭設計週與米蘭國際家具展覽-Salone del Mobile Milano,吸引了所有知名家具製造商和品牌展示業界最優秀的作品,很可惜今年的展覽相較於去年,辦公室設計的創新明顯減少,不過還是有兩個案例想跟你們分享。

瑞士品牌 USM 持續創新經典的鉻管和框架系統。他們這次將照明集中到鉻管中,隱藏電線管路,不僅保持系統的貯物功能,也能同時照亮展示物品。這個作法也促進了友善植物設計,使植物能夠在貯物系統中茁壯成長,這是對傳統儲物系統巧妙的新設計。

USM Shelving system
USM Shelving system source/JC. Architecture & Design

至於家庭辦公室,我參觀 Desalto 的展位。Desalto 提供了多種適應性的解決方案,可供小型住宅擴展或減少家具,以最大限度利用有限的空間。它的設計提醒了我們,無論生活空間有多小,在家工作仍然是一個可行的選項,這在疫情後尤其重要。

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

以人為本與健康取向的辦公環境設計

最後,我想分享一些以「人」為中心的設計,以及讓心靈健康的辦公環境設計策略:

每個辦公室都需要儲物空間:與其將它們放置在牆邊,不如在中央設置集中式儲存空間,作為一個高 110 公分的中島櫃,鼓勵同事間的互動和討論。

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

設計周到的照明:減少長時間在強烈均一光線下工作的不適。如果從辦公桌到洗手間的照明環境能變化,就可以讓眼睛從 8 小時的持續人工燈光中獲得休息。

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

綠色設計:最大程度地利用自然光和綠色植物,增加人與自然的聯繫。我建議與綠化顧問和景觀美化公司合作,以確保植物的長期壽命,也要準備一筆維護植栽的預算。

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

辦公室藍圖的前瞻

辦公室設計的本質超越了節省成本,它體現了公司文化,提升了士氣,並塑造觀感。一個策略性、精心打造的空間不僅僅是一個工作場所,而是生產力、協作和企業身份的熔爐。透過設計思考,我們投資於公司的未來和走進門的每一個人的福祉,讓我們的設計不僅為現在,更為我們的員工和客戶留下長久而深遠的印象。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
點此訂閱 → 掌握設計師、創意總監、創業家的第一手觀察觀點!




Think office design as part of your company culture, a communication tool.

Price or culture? Recently, a close friend asked me, "Should we look for a contractor to design our office to save costs? Because if I hire a designer, isn't that going to cost more? What if I just share some office Instagram photos that I like as references, and the contractor can build it for us?" Sure, saving a few bucks here and there is possible, but what would you like to see in your office? What vision or spirit do you want your office to embody? What message do you want to send to your employees, or which direction or path would you like the company to take?

As a celebrated office design studio in Taiwan, with acclaimed projects like the Logistic Republic Office, a fashion office H&M Office Taiwan, and a government office New Taipei City Government Office - Comma Lab, we always ask ourselves, "What is it that we are after in an office design?" "What can we do to help the employee and its environment?" "How can design help a brand to give a sense of character and confidence?" and "What 'global conversations' can we add to our client’s office design, so that the office communicates with the world?"

Culture of the Workplace: A Vision Beyond the Price Tag

Should office design focus primarily on cost? While economizing by hiring contractors to mimic designs from Instagram might seem attractive, true office design transcends mere aesthetics and expenditure. Office design isn't just about creating a space where people can work—that’s the bare minimum; it's about crafting an environment that reflects the company’s ethos and values to both clients and employees. An office is a statement of a business’s culture and intention.

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

A quick example: my design studio culture is about discussing creative potentials and brainstorming new possibilities. Therefore, very early on, we decided that meeting spaces and discussion corners were important in our company culture. Even though we are only a team of 27, we have purposely designed six different meeting points where we can quickly come together and brainstorm for new ideas, averaging roughly 5.4 people per meeting space.

Cultural is the Spatial Identity

Every office design we undertake, from large corporations like Microsoft Office (New Taipei City and Nangang) to more traditional institutions such as the New Taipei Government Office - Comma Lab, is tailored to embody the unique culture of the organization. Regardless of the budget, the desired result should be centered around the establishment’s goals for bringing out identity and character, how they want to work together, how they contribute to the health and well-being of their teams, and how they want to communicate with their clients.

Logistic Republic sketch
Logistic Republic sketch source/JC. Architecture & Design

This company culture ultimately evolves into the brand identity of the space: how the space looks and feels, how workstations are placed, how one moves about the offices, whether the CEO sits with everyone in a non-hierarchical layout, or whether there's a top-down seating environment where a manager overlooks every monitor screen from behind. An office such as the Logistic Republic is a good example to share, showing how brand identity can be showcased in the office arena. Logistic Republic (mother company Ally Logistic Properties) is now one of the main players of logistics property developers and centers in Taiwan, the culture of the business is very entrepreneurial, and the CEO’s thinking is very startup-like. What we thought most about when designing the space was whether we could create small corners here and there to give employees freedom to be creative, instead of an array of tables. We applied the concept of stacking shipping container-like structures to create various corners and workspaces within the open space and disrupt the uniformity of the office, all while showcasing the company's essential brand characteristics using three familiar materials one would see in the logistics industry: rough concrete exposures, corrugated steel sheets, and wooden crate chipboards.

Logistic Republic Office
Logistic Republic Office source/JC. Architecture & Design

Design Impacts on Performance, Perception and Retention rates

Employee retention rates are positively impacted by well-designed offices. My good friend, who runs an import-export business involving toolsets like hinges and pillars—a typically traditional and not particularly enticing industry—faced a design that one could imagine to be very traditional, filled with toolkits, exposed fluorescent lighting, cluttered work desks covered with paper files, and old wooden desks that one can't bring oneself to dispose of, adding to the clutter around the office environment. He revealed that hiring new staff was always a challenge, with unforgettable incidents where potential hires would arrive at the company front door, only to look around and then turn away, heading in the opposite direction.
Deciding to take action, a redesign of his office was the solution. He sought the best in office furniture that was ergonomic and height-adjustable, lighting that was healthy for the eyes, and biophilic walls throughout the office. The results were astonishing; not only was the office up to date with today's standards of office language, but recruitment also became much easier, retention rates of existing employees were high, and perhaps most importantly, staff morale increased dramatically, reflecting their growing confidence. It showcased that the company's values were being infused into everything they do, which was evident in their performances.

Have a Bite into Locality.

Whatever we design, I believe local identity is very important, especially in office design. This is not easy to accomplish, as most of the time, this ends up being a silhouette of Taipei 101, or whichever country they are from. Consider the New Taipei Government Office (Comma Lab) as an example. We thought about whether we could design a huge table that allows everyone to gather and work together, similar to infusing the essence of Taiwan's traditional "banquet culture," tying the emotional bond between work and local culture.

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
source/JC. Architecture & Design

The World’s Approach to the Office

With this column set to publish in April, I can’t overlook discussing the Milan Furniture Fair - Salone del Mobile Milano. This event draws all the leading furniture manufacturers and brands to Milan, showcasing the industry's finest. Unfortunately, this year’s fair saw a noticeable decline in innovations in office design compared to the previous year. Nevertheless, I had the opportunity to visit the exhibit of USM, a Swiss brand that continues to innovate its classic rod and joint system. They’ve now integrated lighting into the rods, concealing the electronics to maintain the system’s shelving functionality while also illuminating display items. This addition also facilitates a plant-friendly design, enabling plants to thrive within the shelving system—a clever redesign of traditional storage solutions.

USM Shelving system
USM Shelving system source/JC. Architecture & Design

As for home offices, I visited Desalto's booth, which was particularly relevant in today's world affected by COVID-19 and other communicable diseases. It reminded us that working from home remains a viable option, regardless of living space constraints. Desalto offers numerous adaptable solutions for small residences, allowing for the expansion or reduction of home furnishings to maximize the utility of limited spaces.

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

A Human-Centric Design & Wellness Approach

Here is how I go about developing a practical methodology for all office spaces, using a human-centered approach & wellness thinking, and I’d like to share my approaches with you:

Every office needs storage. Instead of putting them against the wall, centralized storage in the middle of the floor plate acts as a mid-island table at 110cm tall, encouraging interactions with colleagues and peer-to-peer discussions.

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

Thoughtful lighting: Reduce the discomfort of working long hours under strong uniform light. If the lighting environment can change between your pathway from desk to toilet, that in turn already allows the eyes to rest from the 8 hours of constant artificial light on your table.

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

Biophilic design: Maximizing natural light and greenery taps into the innate human connection with the natural world and boosts well-being and employee satisfaction. This is not easily done, and I suggest working with a green consultant and plant management company to ensure the longevity of the plants, be ready to have a healthy maintance budget too.

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

The Office Blueprint Forward

In wrapping up, the essence of office design transcends cost-saving; it embodies a company’s culture, boosts morale, and shapes perceptions. A strategic, well-crafted space is not just a place of work but a crucible of productivity, collaboration, and corporate identity. By investing in thoughtful design, we invest in our company’s future and in the well-being of everyone who walks through its doors. Let’s design not just for the now, but for the lasting impression our spaces will imprint on employees and clients alike.

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