仙島主理人陳易鶴專訪:拋開既定風格,從東方飲茶體驗重新感受生活的愜意與自然

2023/10/11
林佳蕙
仙島主理人陳易鶴專訪:拋開既定風格,從東方飲茶體驗重新感受生活的愜意與自然
攝影 / teikoukei © Shopping Design
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陳易鶴透過空間設計到體驗塑造,體現出不被框架定義的新日常景觀及「東方」飲茶經驗,希望能讓顧客忘卻外在事物的紛擾,用心體會品茶的每個瞬間。

本文選自《Shopping Design》雜誌 2022 夏季號 / THE GAZE ISSUE:濾鏡感

登上陳易鶴的「仙島」,周遭的一切似曾相識卻難以具名。無需急著辨認那難以言明的細節,在他用心塑造的安靜氛圍中,好好體會每一口茶飲的滋味,對他來說,就已接近他所想要訴說的生活真義。

陳易鶴
攝影/teikoukei© Shopping Design

手捧V字型茶碗,飲品的溫度在雙掌之間瞬時散開,自體感中預備著一種心情。將飲之際,寬廣的碗口幾近覆臉,讓飲用者的眼、鼻、口全然沈浸於這一碗茶湯的體驗中。茶碗的深釉色將奶茶表面的泡沫質地襯得清晰,漢方香氣淡淡撲鼻而來,入口之後,溫潤奶香中來自不同藥食材的豐富層次,滿佈尾韻。

來「好氏研究室」創意總監陳易鶴打造的「仙島」上喝一碗茶是如此讓人心無旁鶩之事,如果有一式以其為名的生活濾鏡,由此透視的世界,彷彿安靜下來,當下和眼前的事物則顯得無比巨大,他說:「我希望大家什麼都不用多做,不要忙著想著剛剛發生什麼事,也不用想著你要去哪裡,只要待在當下就好。」

陳易鶴
攝影/teikoukei© Shopping Design

用心感受一間店,珍惜心意的模樣

陳易鶴以建構風格為題,在持續為不同品牌進行再造規劃與設計、開班授課的十餘年間,所抱持的設計觀點漸漸轉趨於「無構」。

「教陳列和品牌課程時,我逐漸發現自己一直在教的,是如何產生一個形式,美式、日式、工業、極簡或禪風,大家都是在既有的框架下,繼續堆砌一樣的東西。大家應該把形式丟掉,直接感覺空間裡的事物。」他更深刻感受社會長期被幾種固定的形式綁架,對於無法定名的新事物缺乏安全感,不僅品牌急於依附著前人成功的模式,消費者進到一個新空間總是急於辨識風格,卻忘了先行體驗的重要性,「一旦形式越明顯,越容易沒有感覺,因為太容易懂了。」

陳易鶴
攝影/teikoukei© Shopping Design

他不諱言如果想賺熱錢,追逐形式上的流行的確方便,「但不得不說在生命的長流中,一旦大家見過這樣的東西,這樣東西便形同死亡,因為注定有看膩的一天,大家從越來越熟悉的事物中所得到興奮感是遞減的。」一再地踏入徒具同樣形式的場所,人們無法自根底產生喜歡且珍惜一家店的信念。

為了設計位於日本的「a day in khaki」民宿,他曾有總長高達四、五個月的時間都在京都生活,見識了當地人尊重經典和講究持久的精神,極為有感,「他們認為『好』是一種心意,如果我認為一間店很美,收下了這樣的心意,就會一直造訪,與店家建立關係。」記得每回造訪當地知名的「逃現鄉」咖啡館,約莫晚上 11 點,總會遇上同一批客人,抽煙斗的客人總坐在同一個位置,大家試著和老闆聊天、交朋友,這樣的情景卻很難在消費取向的台灣街頭發生。

靜心,才能看見事物的本質

拋去已知的風格框架,陳易鶴期盼品牌開始自由釋放自己內在本有的能量,創造更有趣的在地生活風景,「我不教學生怎麼打入市場,我教的是減法。」他認為要創造真正動人的事物,得抽絲剝繭、回推核心,想辦法讓本質能以最大化的方式呈現。他以現下最流行而四處可見的生吐司舉例,這個時候如果有店家能認清吐司的本質,試著做出四、五種鬆軟度不同的吐司,就能再次令人感到驚喜。

他將自己定義為「以策展方式實踐品牌」的工作者,認為找出事物精神核心的過程,是不可或缺,也是能決定成敗的關鍵之舉,唯有自核心推展的事物才可能久遠。他總問學生兩件事:其一,如果要把原來只有十坪的店轉為五十坪,美學根基是否足以撐起那樣的大空間?其二,如果要去信義區辦活動卻不能賣商品,又該怎麼做?「這就是生活策展的概念,把自己的概念和想法轉為軟性的行爲與大眾溝通,如果做不到這兩件事,這樣的事物深度就不夠。」

陳易鶴
攝影/teikoukei© Shopping Design

那麼,一家茶店的本質又是什麼?在「仙島」漢方茶飲本店裡,期待大家能夠把目光再次聚於飲茶這件事情之上,「我希望回歸到『喝』這個動作,你很喜歡這杯茶,於是你很想喝它,是這整件事情裡最重要的部分;而其他周圍的,不過是花樣。」僅僅是這樣一個單純的動作,其後連帶的卻是對飲茶截然不同的態度,他堅持不在這家店內提供吸管,雙手捧飲,餐盤中附上的小湯匙則用來撈料慢慢品嚐,可以喝上好一會。他指出中國早年的路邊茶攤,即是以淺碟盛裝茶湯,透過這樣的啜飲方式,人們可以藉由器皿找回飲茶應有的感覺,「捧,是一種尊重,飲用的方式影響到了價值感,我希望大家能珍惜手上這杯茶,它不是一種所謂的流行,也不只是為了讓你拍照而已。」

有意思的東方體驗,歲月靜好的仙島時光

強調體驗、重視感覺,陳易鶴喜歡以顏色作為起始點切入設計。在這一處讓大家靜心喝茶的空間裡,他以靈感來源取自電影《沙丘》大漠背景的黃色調加上神祕的黑,定出空間的沈穩調性,「我希望氣氛不要太嗨,一嗨就感覺就不長久,人們不會聯想到好吃、日常、持續、重複這樣的事情,只會想到慶祝、節慶、娛樂、喝醉這些很短暫的行為,這是我努力迴避的。」

以黑網紗罩起的長桌區,藉由周圍間接燈光的低調照明,調和出安靜的氛圍,進入空間的人不自覺地便會壓低音量,進入仙島的茶飲世界。入口處以藥櫃為背景的櫃檯則連接著以大量藺草裝飾的出餐區,營造出令人無法指名的異地感;由窗簾布圍起的包廂區,以及飾有竹葉的周邊商品展示區,也各有特色。這些看似南轅北轍的元素,在統一色系的整合下,毫無違和感地共呈於一處,塑造出讓人無法一語道盡的氣氛,而顯得特別迷人。

陳易鶴
攝影/teikoukei© Shopping Design

「東方可以多有趣,我想賭一把。」選擇茶飲店作為創立自有品牌的第一步,他有更大的企圖心,他說:「台灣可以試著表達什麼叫作『東方』,而我想挑戰真正有意思的東方感,我想讓世界看到這樣的東西出自台灣,不是來自周邊的其他國家。」

這不是流行一時的茶館,即便它可能蔚為風潮,陳易鶴期待見到的是「仙島」在時光中安靜如日的長久風景。一如午後正好灑進前廊的光線,自然令人感到愜意,一碗用心的茶飲,也該成為生活中理所當然的一部分,為生活增添美好的可能性。

陳易鶴
攝影/teikoukei© Shopping Design攝影/teikoukei© Shoppin

陳易鶴

「好氏研究室」創意總監、「仙島」漢方茶館主理人,曾任趨勢觀察家、品牌形象顧問、商場形象顧問等要職,著有《美感努力運動》。

仙島 SENTO:https://sentotea.com/

本文選自《Shopping Design》雜誌 2022 夏季號 /THE GAZE ISSUE:濾鏡感 - 更多內容請 點此試閱

責任編輯/劉騏瑋

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文

【DesignBIZ 專欄觀點】辦公室設計:為什麼它比你想像中更重要?/邱柏文
source/JC. Architecture & Design
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工作場域體現了企業文化?辦公室設計與企業品牌、員工招募與績效產出具有實質的關聯嗎?柏成設計創辦人以設計案例分享其成果與影響力。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
點此訂閱 → 掌握設計師、創意總監、創業家的第一手觀察觀點!

Click here to read English version.

最近,一位好友問我:「我們應該找裝修承包商來設計辦公室以節省成本嗎?因為如果透過設計師,那不是會花更多錢嗎?如果我只是分享一些 Instagram 上的照片,承包商就可以幫我們做嗎?」直接找承包商當然可以省下一些錢,但你會希望在你的辦公室看到什麼?你希望透過辦公室呈現怎樣的願景?你想向員工傳達什麼訊息?你期望把公司帶向何方?

我們挑戰過許多辦公室設計,包含傳產:永聯物流開發-物流共和國台北園區辦公室、服裝:H&M 辦公室,以及政府單位:新北市政府辦公室-逗號實驗室等備受讚譽的辦公室專案,我們開始問自己,在辦公室設計中我們追求的是什麼?

重新定義工作場所

問題來了:辦公室設計是否應該關注在成本上?透過雇用承包商模仿 Instagram 上的設計來節省開支,雖然看起來很吸引人,但真正的辦公室設計並不僅僅是美觀和費用。辦公室設計不僅僅是創造一個辦公空間,而是要打造一個能向客戶和員工展示你公司精神和價值觀的環境。辦公室是企業文化和願景的表述。

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

舉個簡單的例子:我的設計公司柏成設計,著重在討論創意的可能性,集思廣益創造新的可能。因此,我們很早就決定,會議空間和討論角落在我們的公司文化中非常重要。儘管我們的團隊只有 27 人,但我們還是特意設計了六個不同的討論點,讓大家可以快速聚集在一起提出新的想法,平均每 5.4 個人就可以享用討論空間。

公司文化就是空間形象

從微軟辦公室(新北市和南港)這樣的大型企業,到新北市政府辦公室 - 逗號實驗室這樣的傳統機構,我們承接的每一項辦公室設計,都是為體現組織獨特文化而量身定制的。無論預算多少,所期望的結果都應以公司目標為中心,即彰顯身份和個性、如何協同工作、如何促進團隊的健康和幸福,以及如何與客戶溝通。

永聯物流辦公室 概念
永聯物流辦公室 概念 source/JC. Architecture & Design

像永聯的物流共和國台北園區這樣的辦公室是一個好案例,永聯物流作為台灣首家,也是最大的機構型物流地產開發商,因為企業文化屬於創業型,在設計空間時,我們應用堆疊貨櫃的結構概念,在開放空間中創造各種角落和工作空間,打破辦公室的統一性,同時利用三種物流業常見的材料:混凝土、波紋鋼板和木箱刨花板,展現公司重要的品牌特質。

永聯物流辦公室
永聯物流辦公室 source/JC. Architecture & Design

辦公室設計對績效、觀感與留任率的影響

良好的辦公室設計還有助於提高員工留任率。我的一位好友經營鉸鏈、鉗子等工具進出口,這是個蠻傳統且不太吸引人的行業,相對來說辦公室設計也非常傳統,充斥著工具箱、沒有燈罩的日光燈、塞滿文件亂糟糟的工作桌等等。他告訴我,在辦公室重新設計和改造之前,很難招聘員工。曾有面試者抵達辦公室,還沒走到門口,就被工作環境嚇到而離開了。

也因此,他知道勢必採取一些行動,而重新設計辦公室就是他的解決方案。他改善照明、安裝升降桌、在室內種植了綠植等設施之後,現在員工留任率非常高,招聘也順利許多。這顯示了老闆關心員工,且想給他們最好的環境。更重要的是,員工士氣大幅提升,也越來越有自信,這樣的轉變說明了有效的辦公室設計如何直接影響品牌形象和工作滿意度。

品味在地風味的辦公室設計

不管我們設計什麼,有沒有當地的思想是非常重要的。但在辦公室設計上,這不容易做到,因為在地化設計常常會變成,將台北 101 的剪影放在辦公室門口,代表你來到台灣,這常在國外的辦事處看到。當我們在設計新北市辦公室 - 逗號實驗室時,我們將台灣傳統的「辦桌文化」融入辦公室家具設計, 讓大家可以一起在一張大桌工作,將本地文化的情感與工作環境連結在一起。

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
New Taipei Government Office - Comma Lab source/JC. Architecture & Design

世界的辦公室設計

今年 4 月的米蘭設計週與米蘭國際家具展覽-Salone del Mobile Milano,吸引了所有知名家具製造商和品牌展示業界最優秀的作品,很可惜今年的展覽相較於去年,辦公室設計的創新明顯減少,不過還是有兩個案例想跟你們分享。

瑞士品牌 USM 持續創新經典的鉻管和框架系統。他們這次將照明集中到鉻管中,隱藏電線管路,不僅保持系統的貯物功能,也能同時照亮展示物品。這個作法也促進了友善植物設計,使植物能夠在貯物系統中茁壯成長,這是對傳統儲物系統巧妙的新設計。

USM Shelving system
USM Shelving system source/JC. Architecture & Design

至於家庭辦公室,我參觀 Desalto 的展位。Desalto 提供了多種適應性的解決方案,可供小型住宅擴展或減少家具,以最大限度利用有限的空間。它的設計提醒了我們,無論生活空間有多小,在家工作仍然是一個可行的選項,這在疫情後尤其重要。

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

以人為本與健康取向的辦公環境設計

最後,我想分享一些以「人」為中心的設計,以及讓心靈健康的辦公環境設計策略:

每個辦公室都需要儲物空間:與其將它們放置在牆邊,不如在中央設置集中式儲存空間,作為一個高 110 公分的中島櫃,鼓勵同事間的互動和討論。

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

設計周到的照明:減少長時間在強烈均一光線下工作的不適。如果從辦公桌到洗手間的照明環境能變化,就可以讓眼睛從 8 小時的持續人工燈光中獲得休息。

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

綠色設計:最大程度地利用自然光和綠色植物,增加人與自然的聯繫。我建議與綠化顧問和景觀美化公司合作,以確保植物的長期壽命,也要準備一筆維護植栽的預算。

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

辦公室藍圖的前瞻

辦公室設計的本質超越了節省成本,它體現了公司文化,提升了士氣,並塑造觀感。一個策略性、精心打造的空間不僅僅是一個工作場所,而是生產力、協作和企業身份的熔爐。透過設計思考,我們投資於公司的未來和走進門的每一個人的福祉,讓我們的設計不僅為現在,更為我們的員工和客戶留下長久而深遠的印象。

此篇《DesignBIZ View》專欄發布於《設計新商業 DesignBIZ》 電子報 NO.029 期
點此訂閱 → 掌握設計師、創意總監、創業家的第一手觀察觀點!




Think office design as part of your company culture, a communication tool.

Price or culture? Recently, a close friend asked me, "Should we look for a contractor to design our office to save costs? Because if I hire a designer, isn't that going to cost more? What if I just share some office Instagram photos that I like as references, and the contractor can build it for us?" Sure, saving a few bucks here and there is possible, but what would you like to see in your office? What vision or spirit do you want your office to embody? What message do you want to send to your employees, or which direction or path would you like the company to take?

As a celebrated office design studio in Taiwan, with acclaimed projects like the Logistic Republic Office, a fashion office H&M Office Taiwan, and a government office New Taipei City Government Office - Comma Lab, we always ask ourselves, "What is it that we are after in an office design?" "What can we do to help the employee and its environment?" "How can design help a brand to give a sense of character and confidence?" and "What 'global conversations' can we add to our client’s office design, so that the office communicates with the world?"

Culture of the Workplace: A Vision Beyond the Price Tag

Should office design focus primarily on cost? While economizing by hiring contractors to mimic designs from Instagram might seem attractive, true office design transcends mere aesthetics and expenditure. Office design isn't just about creating a space where people can work—that’s the bare minimum; it's about crafting an environment that reflects the company’s ethos and values to both clients and employees. An office is a statement of a business’s culture and intention.

JC. Architecture & Design Office Living Room Meeting Room
JC. Architecture & Design Office Living Room Meeting Room source/JC. Architecture & Design

A quick example: my design studio culture is about discussing creative potentials and brainstorming new possibilities. Therefore, very early on, we decided that meeting spaces and discussion corners were important in our company culture. Even though we are only a team of 27, we have purposely designed six different meeting points where we can quickly come together and brainstorm for new ideas, averaging roughly 5.4 people per meeting space.

Cultural is the Spatial Identity

Every office design we undertake, from large corporations like Microsoft Office (New Taipei City and Nangang) to more traditional institutions such as the New Taipei Government Office - Comma Lab, is tailored to embody the unique culture of the organization. Regardless of the budget, the desired result should be centered around the establishment’s goals for bringing out identity and character, how they want to work together, how they contribute to the health and well-being of their teams, and how they want to communicate with their clients.

Logistic Republic sketch
Logistic Republic sketch source/JC. Architecture & Design

This company culture ultimately evolves into the brand identity of the space: how the space looks and feels, how workstations are placed, how one moves about the offices, whether the CEO sits with everyone in a non-hierarchical layout, or whether there's a top-down seating environment where a manager overlooks every monitor screen from behind. An office such as the Logistic Republic is a good example to share, showing how brand identity can be showcased in the office arena. Logistic Republic (mother company Ally Logistic Properties) is now one of the main players of logistics property developers and centers in Taiwan, the culture of the business is very entrepreneurial, and the CEO’s thinking is very startup-like. What we thought most about when designing the space was whether we could create small corners here and there to give employees freedom to be creative, instead of an array of tables. We applied the concept of stacking shipping container-like structures to create various corners and workspaces within the open space and disrupt the uniformity of the office, all while showcasing the company's essential brand characteristics using three familiar materials one would see in the logistics industry: rough concrete exposures, corrugated steel sheets, and wooden crate chipboards.

Logistic Republic Office
Logistic Republic Office source/JC. Architecture & Design

Design Impacts on Performance, Perception and Retention rates

Employee retention rates are positively impacted by well-designed offices. My good friend, who runs an import-export business involving toolsets like hinges and pillars—a typically traditional and not particularly enticing industry—faced a design that one could imagine to be very traditional, filled with toolkits, exposed fluorescent lighting, cluttered work desks covered with paper files, and old wooden desks that one can't bring oneself to dispose of, adding to the clutter around the office environment. He revealed that hiring new staff was always a challenge, with unforgettable incidents where potential hires would arrive at the company front door, only to look around and then turn away, heading in the opposite direction.
Deciding to take action, a redesign of his office was the solution. He sought the best in office furniture that was ergonomic and height-adjustable, lighting that was healthy for the eyes, and biophilic walls throughout the office. The results were astonishing; not only was the office up to date with today's standards of office language, but recruitment also became much easier, retention rates of existing employees were high, and perhaps most importantly, staff morale increased dramatically, reflecting their growing confidence. It showcased that the company's values were being infused into everything they do, which was evident in their performances.

Have a Bite into Locality.

Whatever we design, I believe local identity is very important, especially in office design. This is not easy to accomplish, as most of the time, this ends up being a silhouette of Taipei 101, or whichever country they are from. Consider the New Taipei Government Office (Comma Lab) as an example. We thought about whether we could design a huge table that allows everyone to gather and work together, similar to infusing the essence of Taiwan's traditional "banquet culture," tying the emotional bond between work and local culture.

New Taipei Government Office - Comma Lab concept diagram
New Taipei Government Office - Comma Lab concept diagram source/JC. Architecture & Design
New Taipei Government Office - Comma Lab
source/JC. Architecture & Design

The World’s Approach to the Office

With this column set to publish in April, I can’t overlook discussing the Milan Furniture Fair - Salone del Mobile Milano. This event draws all the leading furniture manufacturers and brands to Milan, showcasing the industry's finest. Unfortunately, this year’s fair saw a noticeable decline in innovations in office design compared to the previous year. Nevertheless, I had the opportunity to visit the exhibit of USM, a Swiss brand that continues to innovate its classic rod and joint system. They’ve now integrated lighting into the rods, concealing the electronics to maintain the system’s shelving functionality while also illuminating display items. This addition also facilitates a plant-friendly design, enabling plants to thrive within the shelving system—a clever redesign of traditional storage solutions.

USM Shelving system
USM Shelving system source/JC. Architecture & Design

As for home offices, I visited Desalto's booth, which was particularly relevant in today's world affected by COVID-19 and other communicable diseases. It reminded us that working from home remains a viable option, regardless of living space constraints. Desalto offers numerous adaptable solutions for small residences, allowing for the expansion or reduction of home furnishings to maximize the utility of limited spaces.

Desalto exhibition
Desalto exhibition source/JC. Architecture & Design

A Human-Centric Design & Wellness Approach

Here is how I go about developing a practical methodology for all office spaces, using a human-centered approach & wellness thinking, and I’d like to share my approaches with you:

Every office needs storage. Instead of putting them against the wall, centralized storage in the middle of the floor plate acts as a mid-island table at 110cm tall, encouraging interactions with colleagues and peer-to-peer discussions.

Taiwan Design Research Institute Office
Taiwan Design Research Institute Office source/Taiwan Design Research Institute

Thoughtful lighting: Reduce the discomfort of working long hours under strong uniform light. If the lighting environment can change between your pathway from desk to toilet, that in turn already allows the eyes to rest from the 8 hours of constant artificial light on your table.

H&M Taiwan Office
H&M Taiwan Office source/JC. Architecture & Design

Biophilic design: Maximizing natural light and greenery taps into the innate human connection with the natural world and boosts well-being and employee satisfaction. This is not easily done, and I suggest working with a green consultant and plant management company to ensure the longevity of the plants, be ready to have a healthy maintance budget too.

Microsoft Office New Taipei City
Microsoft Office New Taipei City source/JC. Architecture & Design

The Office Blueprint Forward

In wrapping up, the essence of office design transcends cost-saving; it embodies a company’s culture, boosts morale, and shapes perceptions. A strategic, well-crafted space is not just a place of work but a crucible of productivity, collaboration, and corporate identity. By investing in thoughtful design, we invest in our company’s future and in the well-being of everyone who walks through its doors. Let’s design not just for the now, but for the lasting impression our spaces will imprint on employees and clients alike.

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